Selected articles and ESSAYS 

 

Christoph Lindner, "Retro-Walking New York," in Deconstructing the High Line: Postindustrial Urbanism and the Rise of the Elevated Park, ed. C. Lindner and B. Rosa (New Brunswick: Rutgers University Press, 2017), 92-106.

Christoph Lindner, “Interrupting New York: Slowness and the High Line,” in Cities Interrupted: Visual Culture and Urban Space, ed. S. Jordan and C. Lindner (London: Bloomsbury, 2016), 49-64.

Shirley Jordan and Christoph Lindner, “Visual Culture and Interruption in Global Cities,” in Cities Interrupted: Visual Culture and Urban Space, ed. S. Jordan and C. Lindner (London: Bloomsbury, 2016), 1-13. [PDF]

Christoph Lindner and Miriam Meissner, “Globalization, Garbage, and the Urban Environment,” in Global Garbage: Urban Imaginaries of Waste, Excess, and Abandonment, ed. C. Lindner and M. Meissner (London: Routledge, 2016), 1-11. [PDF]

Christoph Lindner and Miriam Meissner, “Slow Art in the Creative City: Amsterdam, Street Photography, and Urban Renewal,” Space and Culture 18.1 (2015): 4-24. [AbstractPDF]

Christoph Lindner, "Six Discourses on the Postmetropolitan University: Notes on the Future of Urban Campuses," De Omslag, December 2015. Online here.

Christoph Lindner, "Rebel City Amsterdam: Reflections on the Occupied University," The New Metropolitan, March 16, 2015. Online here

Christoph Lindner, “The Oblique Art of Shoes: Popular Culture, Aesthetic Pleasure, and the Humanities,” Journal for Cultural Research 19.3 (2015): 233-247. [Abstract, PDF]

Christoph Lindner, “Der Scape-Effekt,” in Räumliche Darstellung Kultureller Begegnungen, ed. C. Moser and R. Parr (Heidelberg: Synchron, 2015), 37-45. [PDF]

Hendrik Folkerts, Christoph Lindner, and Margriet Schavemaker, “A Change in Direction: Introducing Facing Forward,” in Facing Forward: Art and Theory from a Future Perspective, ed. H. Folkerts et al. (Amsterdam: Amsterdam University Press, 2015), 7-16. [PDF]

Stephanie Hemelryk Donald and Christoph Lindner “Inertia, Suspension, and Mobility in the Global City,” in Inert Cities: Globalization, Mobility, and Suspension in Visual Culture, ed. C. Lindner and S. Donald (London: I.B. Tauris, 2014), 1-14.

Christoph Lindner, “Foreword: The Serial Drive,” in Serialization in Popular Culture, ed. R. Allen and T. van den Berg (London: Routledge, 2014), ix-x. [PDF]

Christoph Lindner, “Amsterdam–New York: Transnational Photographic Exchange in the Era of Globalization,” International Journal of Cultural Studies 16.2 (2013): 151-168. [Abstract, PDF]

Christoph Lindner, “After-Images of the Highrise City: Visualizing Urban Change in Modern New York,” Journal of American Culture 36.2 (2013): 75-87. [Abstract, PDF]

Christoph Lindner, “Smart Cities and Slowness,” Urban Pamphleteer 1 (2013): 14-16. Special issue on “Smart and Future Cities”. [PDF]

Pedram Dibazar, Christoph Lindner, Miriam Meissner, and Judith Naeff, “Questioning Urban Modernity,” European Journal of Cultural Studies 16.6 (2013): 643-658. [Abstract, PDF]

Christoph Lindner and Andrew Hussey, “Concepts and Practices of the Underground,” in Paris-Amsterdam Underground: Essays on Cultural Resistance, Subversion, and Diversion, ed. C. Lindner and A. Hussey (Amsterdam: Amsterdam University Press, 2013), 13-19. [PDF]

Christoph Lindner, “The Postmetropolis and Mental Life: Wong Kar-Wai’s Cinematic Hong Kong,” in The New Blackwell Companion to the City, ed. G. Bridge and S. Watson (Oxford: Blackwell, 2011), 327-336. [PDF]

Christoph Lindner, “007’s Nasty Habit of Surviving: The Future of James Bond Scholarship,” in The Cultures of James Bond, ed. J. Frenk and C. Krug (Trier: WVT, 2011), 265-273. [PDF]

Christoph Lindner, “Globalization and Violence,” in Globalization, Violence and the Visual Culture of Cities, ed. C. Lindner (London and New York: Routledge, 2010), 1-13. [PDF]

Christoph Lindner, “Globalization and Film Style: An Introductory Note,” Style 43.1 (2009): 1-2. [PDF]

Christoph Lindner, “Revisioning 007,” in Revisioning 007: James Bond and Casino Royale, ed. C. Lindner (London and New York: Wallflower Press/Columbia University Press, 2009), 1-7. [PDF]

Christoph Lindner, “London Undead: Screening/Branding the Empty City,” in Branding Cities: Cosmopolitanism, Parochialism, and Social Change, ed. S. Donald and E. Kofman (New York: Routledge, 2009), 91-104. [PDF]

Christoph Lindner, “New York Undead: Globalization, Landscape Urbanism, and the Afterlife of the Twin Towers,” Journal of American Culture 31.3 (2008): 302-314. [PDF]

Christoph Lindner, “New York Vertical: Reflections on the Modern Skyline,” American Studies 47.1 (2006): 31-52. [PDF]

Christoph Lindner, “Revisioning Urban Space and Cityscapes,” in Urban Space and Cityscapes: Perspectives from Modern and Contemporary Culture, ed. C. Lindner (London and New York: Routledge, 2006), 1-13. [PDF]

Christoph Lindner, “Willa Cather, Daniel Libeskind, and the Creative Destruction of Manhattan,” Journal of American Culture 28.1 (2005): 114-121. [PDF]

Christoph Lindner, “Why Size Matters,” in Ian Fleming and James Bond: The Cultural Politics of 007, ed. E. Comentale, S. Watt, and S. Willman (Bloomington: Indiana University Press, 2005), 223-237.

Christoph Lindner, “Criminal Vision and the Ideology of Detection in Fleming’s 007 Series,” in The James Bond Phenomenon: A Critical Reader, ed. C. Lindner (Manchester: Manchester University Press, 2003), 76-88.

Christoph Lindner, “Thackeray’s Gourmand: Carnivals of Consumption in Vanity Fair,” Modern Philology 99.4 (2002): 564-581. [Abstract]

Christoph Lindner, "Trollope's Material Girl," Yearbook of English Studies 32 (2002): 36-51. [Abstract]

Christoph Lindner, “Conrad, Capitalism, and Decay,” Connotations: A Journal for Critical Debate 11.1 (2001-2002): 98-115.

Christoph Lindner, “Popular Media and Postmodernism in the Age of the TV Talk Show,” Postmodernisms: Those Were the Days? Prospects and Retrospects. Philologia Hispalensis 13.2 (1999): 167-172. [PDF]